There are many artists who have traveled from all parts of the world to spread their wings in America. Chin-Wei is one example who found the vibe of Los Angeles to be the perfect medicine for his work to shine. Since graduating in 2012 Chin-Wei has been determined to change gears from animation to Live-action filmmaking. He along with his girlfriend Lan-Chi founded their own animation studio and created a series of animated commercial projects. Yet they soon decided to take a different avenue in Live-action filmmaking when they came to the US.
During his journey in animation and Live-action filmmaking he has won many awards along the way like 53rd Taiwan Golden Horse Awards—Best Animated Short Film Nominee and the 33rd Los Angeles Asian Pacific Film Festival—Narrative Short Film Selection. Chin-Wei is on a mission now to improve on Live-action filmmaking as a director. Originally, he studied filmmaking in a self-learning environment by taking in many types of movies, film theory books all while he was in the animation field.
“I never really had a chance to practice filmmaking, until I made up my mind to get into the live-action field, I was eager to learn hands-on skills. Therefore, going to a film school was an efficient way for me at that time to gain the overall hands-on skills of filmmaking in the U.S.A. I always admired the complete film industry system here no matter if it is in the independent or Hollywood way.”
In animation production there is a lot of time being spent working on computers it is all preplanning. When it comes to Live-action communication is paramount where preplanning is not as important. To get a better grasp of the field Chin-Wei knew that learning filmmaking in America would be the best solution. He found New York and LA ideal locations to take in all the different cultures and parlay them into his work.
“Since I got into animation to live-action, all the scripts of my works are inspired by the things or people in my daily life, I enjoyed observing the things surround me, the tiniest or normal things we overlook always surprises me the most.”
Growing up he admired such talented directors like Satoshi Kon an animation director and the other,
Akira Kurosawa, whose autobiography showed Chin-Wei a positive attitude to being a filmmaker and increased his interest in filmmaking. While in College he was encouraged by one of his professors to follow his dream in making a feature film. Since then, he has been working on his own project for the past year and hopes to showcase it soon.
“For me, cinema is like a platform that offers me a chance to learn from a variety of cultures from everywhere in the world. In the same way, seeing different cultural stories gradually appears in front of the audience or film industry in the West, which is also a good chance to let people immerse themselves in a different perspective to see our society and the world. It is huge progress of this medium of art to achieve diversity, which is the significant goal of the world right now as well.”
Before the pandemic hit Chin-Wei shot two short films “Corn” and “Dolly” both projects were based on subjects experiencing societal difficulties, struggles between dream and reality, children’s psychological health, and broken family relationships that influence the lives of children. He wishes he can use his film skills to someway heal people’s spirit and solve the social issues faces us today. Chin-Wei has come a long way with his talents and is determined to share it with the world in a positive light.
